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Overview

Autocue's range of Broadcast Monitors offers you unbeatable quality and value for money. We are experts in display technology and have been leading innovation within the broadcast industry for over 55 years. Autocue aim to match every major competitor on every technical feature at a lower price whilst continuing to innovate.

With a host of useful functions, Autocue's ranges of Broadcast Monitors are ideally suited for a full range of TV, film and broadcast applications, including VFX, editing, grading, machine room, vision gallery and on-set use.

Accepting 2K, 3G, Dual Link, HDMI and DVI inputs, almost all of the high definition signal formats you will need are supported. (E-series - no 3G/Dual Link

Now add in audio de-embedding, audio ppm meters, time code display, waveform and vectorscope (G and T-series only), cages and markers, and you have an unbeatable price/performance package.

The 24” T-series and the 17” G-series have LED backlighting; the 24” G-series and the 24" and 17" E-series have CCFL backlight system.

Both the T and G ranges come close to covering the full DCI colour space and have built in 3D LUTs to manage their colorimetry, whilst the E-series colorimetry is fully compliant to REC709/Adobe sRGB.

Key Features

Editing and grading 

The 24" T-series and G-series monitors have a very wide colour gamut, competently controlled by a range of colour space 3D management LUTs. They have an excellent viewing angle and conrast ratio. With just over 1 frame of latency (from I/P to screen) and audio de-embedding (in HD-SDI/HDMI) they offer a cost effective alternative in edit and grade suites.

General broadcast/VFX 

The E-series monitors offer a sparkling image that is fully compliant to REC709 for all regular broadcast monitor applications.

MCR and Vision Gallery

The rack mount option for the 17" G and E series monitor, coupled with full remote control capability (control up to 200 monitors via GPIB/USB from one pc) and wide viewing angle, makes these monitors ideal for Vision Gallery, Machine Room and OB trucks. Built in 3 colour tally (G-series) (2 colour in E-series) Picture-in-Picture/Picture-and-Picture and timecode display enhances the usefulness.

On Location

The robust performance of the RGB LED backlighting on the 24" T-series and 17" G-series make these monitors ideal for use on location. With a full complement of markers and cages (16:9/4:3 safe title, safe action, 15:9/14:9/13:9 and user defined), multiple colour space selections,  plus useful waveform and vectorscope these monitors offer excellent value for money. The audio ppm meters and audio de-embedding to either the internal speakers or to two 3.5mm stereo audio O/P sockets allows for uncluttered monitoring of live feeds or review of recorded material. Additionally the 17" G series can be rack mounted, making it an ideal solution for a DIT's work station.

We have tens of thousands of customers across the world from national broadcasters to local channels, corporates, universities and colleges.